Charlene Rocci Stolo

Art is a form of communication—whether through written words, performance, or visual composition. It absorbs the societal climate, reflects self-commentary, and reaches out to connect with the human spirit, evoking responses that may be subtle or profound, comfortable, or challenging.

With a Bachelor of Arts in Studio Art from California State University, Fullerton, focusing on Drawing and Painting, and a minor in Interior Design, my creative disciplines evolved into professional experiences as an artist, designer, and elementary art teacher. During this period, my husband and I bought a vineyard in central California. Shortly thereafter, with the knowledge and management of our daughter who was working in the wine industry, we began making wine and opened a tasting room. This became a busy time, and my art could not be my focus. However, to remain active in the world of art, I created an art gallery in the tasting and had rotating exhibits displaying talented Central Coast artists. Being on the other end of marketing art was fulfilling and educational, even though the drive to create was always constant. Years later we were able to delegate much of the management, and I returned to my personal art. 

Over the years, my work has evolved through immersive exploration, experimentation, and transformation in style, media, and dimension. This fluidity is vital for growth and refinement, as it allowed me to create pieces that evoke emotion, provoke thought, recall a memory or simply celebrate the elements and principle of art. My work spans figures, faces, and abstracts involving wood or other mixed media. Each piece intends to invite engagement and contemplation.

As an artist, it is impossible to avoid the influence of art history and those who came before us. My creations reflect a confluence of styles inspired by architects and designers like Frank Lloyd Wright, Frank Gehry, and Charles Eames. I draw on the vibrant colors of Henri Matisse and André Derain, the distorted forms of Pablo Picasso and Vincent van Gogh, and the raw, authentic emotions of Frida Kahlo. The wood assemblages and box art of Louise Nevelson are the primary influence of the Repurposed Series. Even more significant for me is her quote, “I never feel age…if you have creative work, you don’t have age or time.” Each influence informs me of my practice, blending history and personal vision into a cohesive expression.